Where to find modernist textile?

When you looking for modernist textile, you must consider not only the quality but also price and customer reviews. But among hundreds of product with different price range, choosing suitable modernist textile is not an easy task. In this post, we show you how to find the right modernist textile along with our top-rated reviews. Please check out our suggestions to find the best modernist textile for you.

Best modernist textile

Product Features Go to site
The Modernist Textile: Europe and America, 1890-1940 The Modernist Textile: Europe and America, 1890-1940 Go to amazon.com
Alexander Girard, Architect: Creating Midcentury Modern Masterpieces (Painted Turtle) Alexander Girard, Architect: Creating Midcentury Modern Masterpieces (Painted Turtle) Go to amazon.com
Mod New York: Fashion Takes a Trip Mod New York: Fashion Takes a Trip Go to amazon.com
Modernism in American Silver: 20th-Century Design Modernism in American Silver: 20th-Century Design Go to amazon.com
Knoll: A Modernist Universe Knoll: A Modernist Universe Go to amazon.com
Eileen Gray Eileen Gray Go to amazon.com
Art Deco and Modernist Carpets Art Deco and Modernist Carpets Go to amazon.com
Anni and Josef Albers: Latin American Journeys Anni and Josef Albers: Latin American Journeys Go to amazon.com
Bauhausleuchten? Kandemlicht! Die Zusammenarbeit des Bauhauses mit der Leipziger Firma Kandem / Bauhaus Lighting? Kandem Light! The Colloboration of the Bauhaus with the Leipzig Company Kandem Bauhausleuchten? Kandemlicht! Die Zusammenarbeit des Bauhauses mit der Leipziger Firma Kandem / Bauhaus Lighting? Kandem Light! The Colloboration of the Bauhaus with the Leipzig Company Kandem Go to amazon.com
The Modernist Textile: Europe And America by Troy, Virginia Gardner (2006) Hardcover The Modernist Textile: Europe And America by Troy, Virginia Gardner (2006) Hardcover Go to amazon.com
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1. The Modernist Textile: Europe and America, 1890-1940

Description

Decorative and applied arts played a major role in shaping the Modernist aesthetic. Western artists and collectors saw textiles, particularly the abstract and handcrafted textiles from non-Western societies, as attractive alternatives to the European academic art tradition. Virginia Gardner Troy examines the importance of textiles within the context of 20th-century art and design.

2. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces (Painted Turtle)

Description

During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard's vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937-53)-encompassing interior and industrial design, exhibition curation, and residential architecture-has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard's exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe.

One exciting element of the book is the rediscovery of another Girard masterpiece-the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard's Detroit design work at midcentury. Stunning color photographs capture the unique design elements-including the boldly colored glazed brick walls of the atrium-reminiscent of Girard's role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book.

Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

3. Mod New York: Fashion Takes a Trip

Description

Mod New York traces the fashion arc of the 1960s and 1970s, a tumultuous and innovative era that continues to inspire how we dress today. During this period, demure silhouettes and pastels favored by First Lady Jacqueline Kennedy exploded into bold prints and tie-dyed psychedelic chaos and ultimately resolved into a personal style dubbed by Vogue the New Nonchalance.

Accompanying a major exhibition at the Museum of the City of New York, this book is beautifully illustrated by two hundred groundbreaking and historically significant designs by Halston, Geoffrey Beene, Rudi Gernreich, Yves Saint Laurent, Andre Courreges, Norman Norell, and Bill Blass, among many others, all drawn from the renowned costume collection at MCNY.

By the mid-1960s, clothing assumed communicative powers, reflecting the momentous societal changes of the day: the emergence of a counterculture, the womens liberation movement, the rise of African-American consciousness, and the radicalism arising from the protests of the Vietnam War. New York City, as the nations fashion and creative capital, became the critical flashpoint for these debates. Authoritative essays by well-known fashion historians Phyllis Magidson, Hazel Clark, Sarah Gordon, and Caroline Rennolds Milbank explore the ways in which these radical movements were expressed in fashion. Of special note is Kwame S. Brathwaites presentation of the Grandassa Models and Black is Beautiful movement, which is illustrated with photographs by his father, Kwame Brathwaite.

4. Modernism in American Silver: 20th-Century Design

Description

From teaspoons to cocktail shakers and unique objects made for New York Worlds Fairs, this stunning book examines the influence of modernism upon industrially produced silverware made in the United States from 1925 to 2000. Featuring the Dallas Museum of Arts Jewel Stern American Silver Collection which comprises over four hundred extraordinary works in the modern idiomas well as other objects in the Museums collection, and selected pieces on loan, Modernism in American Silver is the first book to study the full scope of progressive design in American silver of the twentieth century.

The book not only focuses on the works of such widely known designers as Michael Graves, Richard Meier, Tommi Parzinger, Elsa Peretti, Eliel Saarinen, Belle Kogan, and Lella and Massimo Vigelli, it also reveals the role of others largely unrecognized, among them Donald H. Colflesh, Kurt Eric Christoffersen, Helen Hughes Dulany, Robert J. King, and Elsa Tennhardt, who were instrumental in shaping silverware for a New Age.

For collectors, scholars, designers, students, and museum visitors interested in silver and design, this book is a beautiful and essential resource.

5. Knoll: A Modernist Universe

Description

The history of Knoll is the history of modern design. Founded in 1938 by Hans Knoll and joined by his wife, Florence Knoll, the company is credited for bringing European modern design to America, then nurturing the best homegrown talents at mid-century to build the most successful and prestigious high-end furniture company in the world. Throughout its history Knoll has been at the forefront of cutting-edge and chic design, the first company to produce Mies van der Rohes and Marcel Breuers tubular furniture for a receptive domestic market, making Bauhaus ideals a reality to an American audience. Knoll also leveraged Americas newfound economic and cultural status after World War II by commissioning now-iconic furniture pieces, such as Eero Saarinens Tulip chair and Harry Bertoias Wire chairs. More recently Knoll has produced instant classics from Frank Gehry and Richard Meier. Equally significant is Knolls pioneering foray into office planning, which resulted in Florence Knolls iconic furniture and later one of the first office systems. Knoll also fully integrated graphic design into its program, with photography and advertising by masters such as Herbert Matter and Massimo Vignelli. Comprehensive in narrative and scope, this monograph will be a classic in its own right with images and texts on furniture, furnishings, systems, graphics, and unique insight into the modern world that is Knoll.

6. Eileen Gray

Feature

Used Book in Good Condition

Description

Irish-born designer and architect Eileen Gray (1878-1976) settled in Paris in 1902 and became a leading figure in the French decorative arts of the 1910s and 1920s, creating luxurious lacquer furniture and carpets, and opening a boutique on the Faubourg St Honore. This is a comprehensive examination of her artistic production, including her early furniture and interior designs, and the beginnings of her architectural career, through a six-year collaboration with Rumanian architect Jean Badovici from 1926 to 1932.

7. Art Deco and Modernist Carpets

Feature

Used Book in Good Condition

Description

The design revolutions of the early 20th century were woven into the very fabric of the carpets and rugs of that era. Art Deco and Modernist Carpets, the first in-depth history, charts the evolution of carpet design out of the floral effusions of the Victorian salons and into the angular elegance of Art Deco and bold abstraction of Modernism popularized by the machine age. Such artists and designers as Picasso, Poiret, Gray, Delaunay, Matisse, Klee, and many more advanced the designs going on underfoot, making these rugs extremely collectible artworks in their own right. Generously sized and beautifully illustrated with over 250 full-color photographs, here are Art Deco and Modernist carpets at their most glorious.

8. Anni and Josef Albers: Latin American Journeys

Description

Josef Albers (1888-1976) was a highly influential painter, color theorist and teacher--a monumental figure in international postwar art and aesthetics; his wife and artistic equal, Anni Albers (1899-1994), created important textile artworks as well as spare and abstract paintings and drawings. Together, their artistic roots can be traced to the time they shared at the Bauhaus in Germany in the 1920s and early 1930s. After immigrating to the United States in 1933, the couple traveled regularly to Mexico and South America to study the art, architecture and textile designs of pre-Columbian cultures.
Featuring previously unseen letters, manuscripts and photographs by the artists, as well as lush color plates of their artworks, this catalogue is the first to document the influence of Central and South America on the Albers' work. It also makes the case that their art, as we know it today, cannot be understood without acknowledging their pivotal encounters in Latin America, for Anni's weavings, drawings and painted studies demonstrate her deep knowledge of pre-Colombian textiles, and Josef's paintings and photographs testify to the development of his unique sense of color in Mexico, as well as the formation of his independent concepts of photography and Formalism. One particularly stunning chapter, Hommage to the Pyramid includes Josef Albers' photographic collages of South American Meso-American pyramids. The abstract, graphic quality of these images refers directly and surprisingly to both artists' paintings and textiles.

9. Bauhausleuchten? Kandemlicht! Die Zusammenarbeit des Bauhauses mit der Leipziger Firma Kandem / Bauhaus Lighting? Kandem Light! The Colloboration of the Bauhaus with the Leipzig Company Kandem

Description

In the late 1920s the pioneering firm of Kandem (Krting & Mathiesen AG, Leipzig) led the field in creating innovative lighting. Widespread in both private and public buildings, Kandem lighting fixtures also shaped nocturnal cityscapes throughout Europe. Drawing on intensive research and development, Kandem set the standards for modern lighting. As a school of art and design, the Bauhaus in Dessau was famous far beyond the borders of Germany. From the productive Bauhaus collaboration with Kandem emerged numerous types of lighting fixtures which were functional in design, form and construction. This pioneering achievement broke new ground in product development and design at a time when unlike the present collaboration between designers and industrialists was the exception. The results of their joint efforts were shown at important trade fairs such as the 1929 Werkbund exhibition 'Wohnung und Bauen' ('House and Building') in Breslau and the 'Exposition des Artistes D,corateurs Fran aise' in Paris

10. The Modernist Textile: Europe And America by Troy, Virginia Gardner (2006) Hardcover

Conclusion

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