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Best architecture theory since 1968

Product	Features	Go to site
	Architecture Theory since 1968	Go to amazon.com
	K. Michael Hays: Appearance & Materiality / Aparicin y materialidad	Go to amazon.com
	Architecture Theory Since 1968 (98) by Hays, K Michael [Paperback (2000)]	Go to amazon.com
	A Primer on Theory in Architecture	Go to amazon.com
	Van Gogh's Imaginary Museum: Exploring the Artist's Inner World	Go to amazon.com

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1. Architecture Theory since 1968

Description

An anthology of the pivotal theoretical texts that have defined architecture culture in the late twentieth century.

In the discussion of architecture, there is a prevailing sentiment that, since 1968, cultural production in its traditional sense can no longer be understood to rise spontaneously, as a matter of social course, but must now be constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripespost-structuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentrichas given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architectures general importance in intellectual discourse.

This anthology presents forty-seven of the primary texts of architecture theory, introducing each with an explication of the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.

Contributors
Diana Agrest, Stanford Anderson, Archizoom, George Baird, Jennifer Bloomer, Massimo Cacciari, Jean-Louis Cohen, Beatriz Colomina, Alan Colquhoun, Maurice Culot, Jacques Derrida, Ignasi de Sol-Morales, Peter Eisenman, Robin Evans, Michel Foucault, Kenneth Frampton, Mario Gandelsonas, Frank Gehry, Jrgen Habermas, John Hejduk, Denis Hollier, Bernard Huet, Catherine Ingraham, Fredric Jameson, Charles A. Jencks, Jeffrey Kipnis, Fred Koetter, Rem Koolhaas, Leon Krier, Sanford Kwinter, Henri Lefebvre, Daniel Libeskind, Mary McLeod, Alberto Prez-Gmez, Jos Quetglas, Aldo Rossi, Colin Rowe, Massimo Scolari, Denise Scott Brown, Robert Segrest, Jorge Silvetti, Robert Somol, Martin Steinmann, Robert A. M. Stern, James Stirling, Manfredo Tafuri, Georges Teyssot, Bernard Tschumi, Anthony Vidler, Paul Virilio, Mark Wigley

2. K. Michael Hays: Appearance & Materiality / Aparicin y materialidad

Description

"Most people think of architecture as a very concrete and material medium; but in fact architecture is also one of the most complex perceptual mediumit is constantly changing, constantly moving, and is constantly asking to be experienced in time. In the three essays contained in this bookOf Mirrors and Ashes, Architectures Appearance and the Practices of Imagination and Materiality of Figure, Figures of MaterialityHays offers a more robust way of perceiving architecturea way of conceiving it in its richness and complexity and also its social importance. As the author points out: Architecture is a fundamental human postulate. It is something that we need as a society, as a collective group, to understand our place in the world. And what this book does is offer examples and models of how architecture helps us to engage the world. La mayora de la gente piensa en la arquitectura como un medio muy concreto y material; pero en realidad la arquitectura es tambin uno de los medios perceptivos ms complejos: est constantemente cambiando, constantemente movindose, y est pidiendo constantemente ser experimentada en el tiempo. En los tres ensayos contenidos en este libro De espejos y cenizas, La aparicin de la arquitectura y las prcticas de la imaginacin y Materialidad de la figura, figuras de la materialidad Hays ofrece una forma ms robusta de percibir la arquitectura. Una forma de concebirla en su riqueza y complejidad y tambin su importancia social. Tal como indica su autor: La arquitectura es un postulado humano fundamental. Es algo que necesitamos como sociedad, como grupo colectivo, para entender nuestro lugar en el mundo. Y lo que este libro hace es ofrecer ejemplos y modelos de cmo la arquitectura nos ayuda a incorporar al mundo.

3. Architecture Theory Since 1968 (98) by Hays, K Michael [Paperback (2000)]

Description

Architecture Theory Since 1968 (98) by Hays, K Michael [Paperback (2000)]

4. A Primer on Theory in Architecture

Feature

Routledge

Description

A Primer on Theory in Architecture discusses how theory is defined in architecture, how it is identified, its location in larger perspectives or worldviews, its relationships to other areas in architecture, and how it can be constructed. The book explores the definition, elements and characteristics of theory along with subjects associated with theory and how these associations are recognized. In addition, case studies tackle both individual theorists and common approaches to the topic. Aimed at the new student of architectural theory, if you are just beginning to tackle this subject, begin with this book.

5. Van Gogh's Imaginary Museum: Exploring the Artist's Inner World

Feature

Used Book in Good Condition

Description

There are few western artists who left such a comprehensive record of their likes and dislikes in art as Vincent van Gogh. Through his correspondence, it has been possible to identify the works he was most familiar with, and those he most admired. This book, which accompanies an important exhibition at the Van Gogh Museum, Amsterdam, marking the 150superscript th anniversary of the artist's birth, brings together the paintings that had the greatest influence on Van Gogh - by such masters as Rembrandt and Rubens, Corot and Courbet, Monet and Gauguin - with dozens of his own works. By juxtaposing these other artists' works with many of Vincent's most powerful and best-loved paintings, the exhibition reveals a fascinating dialogue between one artistic genius and his art historical predecessors.
Ten lavishly illustrated essays by Van Gogh specialists cover a wide range of subjects, from the artist's attitude toward "the people" to his relationship with literature. Exploring the full panoply of Vincent's visual passions, Van Gogh's Imaginary Museum demonstrates not only the resonance between Vincent's taste and his own art but also the workings of the artistic mind and imagination in general.

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