Top 10 best compressor limiter
Finding the best compressor limiter suitable for your needs isnt easy. With hundreds of choices can distract you. Knowing whats bad and whats good can be something of a minefield. In this article, weve done the hard work for you.
Best compressor limiter
1. Behringer MDX4600 MULTICOM PRO-XL - 4 Channel Compressor/Limiter and Peak Limiter
Description
Behringer MDX4600 MULTICOM PRO-XL - 4 Channel Compressor/Limiter and Peak Limiter2. dbx 166xs Professional Audio Compressor/Limiter/Gate Dynamic Processor
Feature
Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixesNew gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Inputs: " TRS and female XLR (pin 2 hot)
Outputs: " TRS and female XLR (pin 2 hot)
Description
Adding a dbx 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the Peak Stop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors, after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Over easy compression technology provides smooth and musical performance while the Auto Dynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.3. ART Tube MP/C Tube Pre-Amplifier/Opto-Compressor-Limiter Project Series
Feature
A quarter inch unbalanced inputs and outputs.Optical (VCA-less) compressor circuitry = transparent dynamics control.
Tube-based mic/line preamplifier with up to 80 dB of gain.
Hand-selected 12AX7a tube.
XLR balanced inputs and outputs.
Description
Tube Preamp/Opto-compressor with Independent Circuits, XLR and 1/4" I/O, Transformer-isolated XLR Output, and 12AX7a Tube4. BEHRINGER COMPOSER PRO-XL MDX2600
Feature
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristicsIntegrated De-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks
Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression
Description
BEHRINGER COMPOSER PRO-XL MDX2600
Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter with Integrated De-Esser, Dynamic Enhancer and Tube Simulation
- Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics
- Integrated De-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks
- IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks
- Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression
- IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression
- Switchable Tube simulation for the extra warmth and transparency of classic tube circuitry
- Automatically or manually adjustable attack and release times
- Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression
- Stereo couple function with independent output level settings
- Switchable side chain input with monitor function
- Separate 12-segment LED meters for input/output levels and gain reduction
- Dedicated "traffic light" Threshold and De-esser level displays
- Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
- Relay-controlled hard bypass switch with auto bypass function in case of power failure
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Whether you're recording, mixing or mastering, the COMPOSER PRO-XL MDX2600 gives you total dynamic control. It includes all of the features you would expect from a reference class compressor-plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality.
5. BEHRINGER ULTRAGAIN PRO MIC2200
Feature
Ultra-low noise discrete microphone/line preamplifier with hand-selected 12AX7 tube for ultra-musical soundMic input stage based on discrete, conjugate transistor pair circuitry
Ultra-wide bandwidth from 10 Hz to 200 kHz for "open" sound
Integrated fully parametric EQs with dedicated center frequency, bandwidth and level controls
Independent line driver for converting -10 dBV into +4 dBu pro level
Description
BEHRINGER ULTRAGAIN PRO MIC2200
Audiophile Vacuum Tube Microphone/Line Preamplifier
- Ultra-low noise discrete microphone/line preamplifier with hand-selected 12AX7 tube for ultra-musical sound
- Mic input stage based on discrete, conjugate transistor pair circuitry
- Ultra-wide bandwidth from 10 Hz to 200 kHz for "open" sound
- Integrated fully parametric EQs with dedicated center frequency, bandwidth and level controls
- Independent line driver for converting -10 dBV into +4 dBu pro level
- Soft-mute +48 V phantom power to avoid switch-on thumps
- Fully tunable and switchable 12 dB high-pass filter
- Switchable phase reverse for correcting phase-related problems
- Accurate 12-segment LED metering for output level
- Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Tubes can really warm up a signal fast, giving it depth and character. The two-channel BEHRINGER PRO MIC2200 injects your sound with this timeless tone in preamp, line driver and DI box applications.
Put a Little Tube in Your Tone
The MIC2200 is perfect for studio and live applications. The balanced 1/4" TRS and XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 for superior sonic character and low noise operation. The MIC2200 is great for adding a bit of "spice" to the sound of standard digital recorders and computer soundcards. And thanks to onboard +48 V phantom power, it can also add warmth to condenser mics.
For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable center frequency, bandwidth and level per channel. Channels also feature a phase reverse switch.
Vintage Sound, Modern Value
The MIC2200 gives you the sound quality of a vintage tube preamp at a mere fraction of what a true relic of the 1960s would cost. At a price this low, you owe it to yourself to find out where the MIC2200's real tube tone can take your sound.
6. rolls SL33B Stereo Program Limiter
Feature
stereoPROGRAM
LIMITER
Description
rolls. Stereo;Program;Limiter7. BEHRINGER SPL3220 Stereo Multiband Sound Processor/Loudness Maximizer/Limiter Black
Feature
Professional multiband sound processor for public address, broadcasting and mastering applicationsMultiband technology provides for brilliant and lively audio processing without audible "pumping" artifacts
Loudness maximization to achieve ultimate signal density for public address and competitive broadcast sound
Leveler automatically adjusts signal density for harmonized loudness and enhanced listening experience
Protects speaker systems that are submitted to continuous operation at maximum SPL
Description
Stereo Multiband Sound Processor/Loudness Maximizer/Limiter8. rolls Comp/Limiter Gate (CL151)
Feature
complimiter gate
Description
ROLLS9. dbx 560A Compact, Professional Compressor/Limiter
Feature
Over Easy or classic hard knee compression with dB's ultra-musical program dependent attack and release timesCompression ratio variable from 1:1 through infinity: 1 to -1:1
Precise RMS gain reduction and input/output meter displays with calibration control for different operating levels
True RMS level detection
Exclusive Infinity+ compression using negative ratios
Description
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition. Featuring the same switch-selectable Over Easy and Hard Knee compression curves as our industry-standard dbx 160A rack mount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It's also versatile enough to go from subtle compression to "brick wall" peak limiting. Choose low ratios and Over Easy compression to expertly smooth out fluctuating vocal and instrumental levels, or use the 560A's Hard Knee compression and high ratios for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 560A's 19-segment, switchable Input/output LEDs and 12-segment Gain Reduction LEDs provide precise analysis at a glance. And, the dbx 560A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway mix levels. Load up your 500 Series rack with some dbx 560A Compressor/Limiters and go to work!10. ART SCL2 Compressor
Feature
Dual Channel or Linked Stereo Operation1/4-Inch TRS Side Chain Inserts
1/4-Inch TRS And XLR Balanced Inputs
1/4-Inch TRS And XLR Balanced Outputs
Stereo Mode Balance Control
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