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Best marking indigeneity
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Marking Indigeneity: The Tongan Art of Sociospatial Relations (First Peoples: New Directions in Indigenous Studies) | Go to amazon.com |
1. Marking Indigeneity: The Tongan Art of Sociospatial Relations (First Peoples: New Directions in Indigenous Studies)
Description
Tongans, the native people of the Kingdom of Tonga in the South Pacific, are a highly mobile indigenous group. Like their seafaring ancestors, they are constantly on the move across ta (time) and va (space). Carrying their traditions with them, Tongans living in Maui, Hawaii, actively mediate those dimensions by extending the time-space structure of certain activities and places in order to practice tauhi vathe marking of time to sustain harmonious relations and create beautiful sociospatial relations.
In Marking Indigeneity, Tevita O. Kaili examines the conflicts and reconciliation of indigenous time-space within the Tongan community in Maui, as well as within the time-space of capitalism. Using indigenous theory, he provides an ethnography of the social relations of the highly mobile Tongans.
Focusing on tauhi va, Kaili notes certain examples of this time marking: the faikava gatherings that last from sunset to sunrise, long eating gatherings, long conversations (talanoa), the all-night funeral wakes, and the early arrival to and late departure from meetings and celebrations. Kaili also describes the performing art of tauhi va, which creates symmetry through the performance of social duties (fatongia). This gives rise to powerful feelings of warmth, elation, and honor among the performers. Marking Indigeneity offers an ethnography of the extension of time-space that is rooted in ancient Moana oral traditions, thoughtfully illustrating the continuation of these traditions.
In Marking Indigeneity, Tevita O. Kaili examines the conflicts and reconciliation of indigenous time-space within the Tongan community in Maui, as well as within the time-space of capitalism. Using indigenous theory, he provides an ethnography of the social relations of the highly mobile Tongans.
Focusing on tauhi va, Kaili notes certain examples of this time marking: the faikava gatherings that last from sunset to sunrise, long eating gatherings, long conversations (talanoa), the all-night funeral wakes, and the early arrival to and late departure from meetings and celebrations. Kaili also describes the performing art of tauhi va, which creates symmetry through the performance of social duties (fatongia). This gives rise to powerful feelings of warmth, elation, and honor among the performers. Marking Indigeneity offers an ethnography of the extension of time-space that is rooted in ancient Moana oral traditions, thoughtfully illustrating the continuation of these traditions.
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