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Best analog in books
1. The Revenge of Analog: Real Things and Why They Matter
Description
One of Michiko Kakutani's (New York Times) top ten books of 2016A funny thing happened on the way to the digital utopia. We've begun to fall back in love with the very analog goods and ideas the tech gurus insisted that we no longer needed. Businesses that once looked outdated, from film photography to brick-and-mortar retail, are now springing with new life. Notebooks, records, and stationery have become cool again. Behold the Revenge of Analog.
David Sax has uncovered story after story of entrepreneurs, small business owners, and even big corporations who've found a market selling not apps or virtual solutions but real, tangible things. As e-books are supposedly remaking reading, independent bookstores have sprouted up across the country. As music allegedly migrates to the cloud, vinyl record sales have grown more than ten times over the past decade. Even the offices of tech giants like Google and Facebook increasingly rely on pen and paper to drive their brightest ideas.
Sax's work reveals a deep truth about how humans shop, interact, and even think. Blending psychology and observant wit with first-rate reportage, Sax shows the limited appeal of the purely digital life--and the robust future of the real world outside it.
2. The New Analog: Listening and Reconnecting in a Digital World
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NEW PRESSDescription
Having made his name in the late 1980s as a member of the indie band Galaxie 500, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered the transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Do streaming media discourage us from listening closely? Are we hearing each other fully in this new environment?
Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineers distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog erathe disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of timeas a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out.
3. Analog: A Cyber-Dystopian Noir Volume 1: Death by Algorithm
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Collects ANALOG #1-5
4. Analog Nightmares: The Shot On Video Horror Films of 1982-1995
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The most comprehensive, all-inclusive look at the history and evolution of shot on video horror films. In 1982, "Boardinghouse" became the first shot on video feature-length horror film ever made. Totally lensed on videotape, the film was later transferred to 16mm and blown-up to 35mm for theatrical exhibition. In 1983, David A. Prior shot "Sledgehammer" on video and eventually released the film on videotape. For the first time, analog video became the format used in motion picture productions. It was smeary, messy and it wasn't film... but it was cheap. In 1985, United Home Video boldly released "Blood Cult" with the claim it was "the first movie made for the home video market." The booming popularity of video stores coupled with a never-satisfied demand for content ensured these films longevity. Soon hundreds of titles followed, all video-created features by independent unknowns. They weren't from Hollywood. They weren't trained. But they had a lot of heart and a love for horror. And they made their own movies against the odds. For the first time EVER - "ANALOG NIGHTMARES" has brought these films together. Everything from "Boardinghouse" to "Zombie Holocaust" individually reviewed, categorized and presented chronologically by production year. Over 260 films! Featuring in-depth interviews with the filmmakers themselves - some speaking for the very first time! TIM BOGGS! MARK POLONIA! DONALD FARMER! TIM RITTER! JOEL D. WYNKOOP! DOUG STONE! ANDREA ADAMS! GARY WHITSON! DAVE CASTIGLIONE! PHIL HERMAN! ERIC STANZE! JAMES L. EDWARDS! WALTER RUETHER! TODD JASON COOK! NICK MILLARD! DAVID "THE ROCK" NELSON! RON BONK!5. Make: Analog Synthesizers: Make Electronic Sounds the Synth-DIY Way
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Used Book in Good ConditionDescription
Dive hands-on into the tools, techniques, and information for making your own analog synthesizer. If youre a musician or a hobbyist with experience in building electronic projects from kits or schematics, this do-it-yourself guide will walk you through the parts and schematics you need, and how to tailor them for your needs. Author Ray Wilson shares his decades of experience in synth-DIY, including the popular Music From Outer Space (MFOS) website and analog synth community.
At the end of the book, youll apply everything youve learned by building an analog synthesizer, using the MFOS Noise Toaster kit. Youll also learn what it takes to create synth-DIY electronic music studio. Get started in the fun and engaging hobby of synth-DIY without delay.
With this book, youll learn:
- The differences between analog and digital synthesizers
- Analog synthesizer building blocks, including VCOs, VCFs, VCAs, and LFOs
- How to tool up for synth-DIY, including electronic instruments and suggestions for home-made equipment
- Foundational circuits for amplification, biasing, and signal mixing
- How to work with the MFOS Noise Toaster kit
- Setting up a synth-DIY electronic music studio on a budget
6. Foundations of Analog and Digital Electronic Circuits (The Morgan Kaufmann Series in Computer Architecture and Design)
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Morgan Kaufmann PublishersDescription
Unlike books currently on the market, this book attempts to satisfy two goals: combine circuits and electronics into a single, unified treatment, and establish a strong connection with the contemporary world of digital systems. It will introduce a new way of looking not only at the treatment of circuits, but also at the treatment of introductory coursework in engineering in general.Using the concept of ''abstraction,'' the book attempts to form a bridge between the world of physics and the world of large computer systems. In particular, it attempts to unify electrical engineering and computer science as the art of creating and exploiting successive abstractions to manage the complexity of building useful electrical systems. Computer systems are simply one type of electrical systems.
+Balances circuits theory with practical digital electronics applications.
+Illustrates concepts with real devices.
+Supports the popular circuits and electronics course on the MIT OpenCourse Ware from which professionals worldwide study this new approach.
+Written by two educators well known for their innovative teaching and research and their collaboration with industry.
+Focuses on contemporary MOS technology.
7. Analysis and Design of Analog Integrated Circuits, 5th Edition
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This is the only comprehensive book in the market for engineersthat covers the design of CMOS and bipolar analog integratedcircuits. The fifth edition retains its completeness and updatesthe coverage of bipolar and CMOS circuits.A thorough analysis of a new low-voltage bipolar operationalamplifier has been added to Chapters 6, 7, 9, and 11.
Chapter 12 has been updated to include a fully differential foldedcascode operational amplifier example. With its streamlined andup-to-date coverage, more engineers will turn to this resource toexplore key concepts in the field.
8. Analog Days: The Invention and Impact of the Moog Synthesizer
Description
Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.
The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound.
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.
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